Jun 20, 2016 - Fruit ripening is a natural process in which a fruit goes through various physical. Download PDF. 1 Shares; 6.9k Downloads; 3 Citations. This article highlights the legal aspects of artificial fruit ripening and fruit. Some low-sugar fruits will begin to 'rot' at this stage, as molds, insects, and bacteria break down the fruit into humus. But, many fruits with a higher sugar content will begin to ferment instead. Wild yeasts and bacteria settle down in the ripe fruits, consuming the sugar and producing ethanol and CO2. A Critical Analysis of Artificial Fruit Ripening: Scientific, Legislative and Socio-Economic Aspects Mehnaz Mursalat, Asif Hasan Rony, Abul Hasnat Md. Sazedur Rahman, MD. Nazibul Islam, Mohidus Samad Khan 1* Department of Chemical Engineering, Bangladesh University of Engineering and Technology (BUET), Dhaka-1000, Bangladesh 1 Department of Chemistry, McGill University, Montreal, Canada * Corresponding Author: Research Article: Received 21 February 2013; received in revised form 21 June 2013; accepted 24 June 2013; online published 25 June. Abstract: Fruit ripening is a natural process which also can be stimulated using different artificial fruit ripening agents. In the recent years, the effect of artificial ripening has become questionable because of various health related issues. There are direct and indirect health hazards associated with artificial ripening agents and their impurities, which require qualitative and quantitative analysis of chemical toxicity and their impact on fruit quality. To understand the possible health hazards, it is important to analyze chemicals present within artificially-ripened fruits, and to analyze any change in food value. This article sheds light on the usages of different chemical compounds as artificial fruit ripening agents, their mechanisms, their effects on fruit quality, and possible health impacts. The existing laws and legislations practiced in different countries are also reported here. The paper gives an overview of different aspects of artificial ripening, and the key factors which should be borne in mind while choosing right fruits. The key objective of the paper is to address the problems associated with artificial ripening and bring them to the notice of the scientific and non-scientific communities. Key Words: Artificial fruit ripening; ethylene; calcium carbide; ethephon; health hazards; legislations. Introduction: Fruit ripening is a natural process in which the fruit goes through various chemical changes and gradually becomes sweet, colored, and gets soft and palatable [1-5].With the advancement of science and technology, various artificial methods of fruit ripening has been observed mostly to meet consumers’ demand and other economic factors. However, in the recent years, artificial fruit ripening has been considered a matter of concern and the effect of artificial ripening has become questionable because of various health related issues [6-9]. The need of artificial fruit ripening is often encountered when the fruit-sellers offer fruits to the customers before due season. It is easier to identify artificially-ripened fruit during off season. However, it is harder to find physical differences between artificially ripened fruits and naturally ripened fruits during the actual season of ripening.
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The Pulsar system from CreamWare is a Software / Hardware DSP-based. Studio where every driver, every physical I/O and every 'device' (i.e. Synths, effects etc.). The Pulsar ships with a bonus Waldorf 3rd party 2-oscillator module using. Hi Folks: I was invited here so pardon my just inserting myself in your discussion. I am an independent rep, (not a Creamware employee,) for Creamware in California. Just wanted to let you know that you would probably consider my comments 'influenced', but I do try to be objective too. I'll respond just to the recent posts - (though I do like the Volkswagen/Lamborghini analogy) - and advice that shipments from Germany are to arrive in North America beginning as early as November 30th. Once present and accounted for, then they will be put on trucks for shipment and delivery to the various Dealer destinations across the continent. Best of Luck!! But then again. Only to comfuse even more. Pulsar is an expensive card and it's new. As far as I know it's the most expensive and complex all in one package out there. We don't know if it will work right away or we will have to wait for updates and bugfixes. Still, this is according to what I know. It consist of a sampler, software synt, hd-recording, and effectprocessor. Why not buy other products that has proved to work and put them together? Like a sampler (Gigasampler, SBLive or APS.), synth (Reality or Yamaha.), HD-rec./effect pr. (Gina or Yamaha.). Price might be the same or even cheaper. No i don't have an APS (yet). I want the pulsar for its synth and sampler (player). PULSAR will support soudfonts in the next quarters of 1999. Hard disk recording too. The thing is that i didn't try the pulsar yet, some demos should be possible in stores end of the first week of december. I'll prefer it to APS for the sound it should have, all those synths and the ability to playback soundfonts. Actually, i can ask you rafael: what's the APS sampler ability: can you edit? Also, the pulsar will be uptodate for the next years as u can have more than 1 card at once, more synth, features, 24 bit/96khz sampling. I am fantasming about pulsar, i should know soon wich one, between pulsar or APS is best for me. Oh yeah, pulsar also has those 'audiobahn' converter: 8 or 16 channel boards. Looks verry cool and pro. Here u go Rafael. Med All this you write PULSAR sounds conivincing. But I don't believe that APS and PULSAR is comparable. These to packages are in different segments. PULSAR is probaly the king of them all - if it works that is. I'd be really sceptic to purchasing such a new and complex product at right after the reliese. To answer your question about editing samples on APS. Personally I think that the editing is good there. You can of course edit souds as wavs in a program like Soundforge or others. In addition to that you can edit them further when storing as a instrument in as soundfont. You can then edit the sounds envelope, LFO, filters, loop and God know what. A really cool detail is the ability to send a note of the sound thru an effect like reverb or chorus by triggering a midi event like velocity or pitch whell or others. Update us if you are happy with your PULSAR. As I said on the APS thread I might consier buying the PULSAR in about a year. When all the possible baby desceases are cured. Raphael, You may be right about not purchasing something as new as the pulsar. Personnally i wait for the demos in stores, and let me tell you that DSP or not i'll try to make the baby scream (ie trying to full load the dsp, by opening any synths, several times, applying all affects etc). I'm not sure if i'll get it now. I don't know if it's buggy or not. What i know is that, because of money i have, i only have 1 shot, to make the right decision. Axis reprints 'Sequence' Book. 300+ pages documenting the history and evolution of Axis Records and Jeff Mills. USB-card released with a 320 glossy page, LP size, hardcover book. Artist: Jeff Mills Title Of Album: Sequence: A Retrospective Of Axis Records Year Of Release: 2012-12-17 Label: Axis Records / AXBK-200 Genre: Techno, Electronic, Minimal Quality: 320 Kbps Total Time: 146:09 min Total Size: 336 MB Tracklist: 1. The Art of Barrier Breaking 2. Gamma Player 4. Daphnis (Keeler's Gap) 5. Unfastened and Floating 7. Le Mere C'est Un Caractere 8. Flying Machines 9. The Industry of Dreams 10. The New Arrivals 11. Perfecture 12. The Loss of Power 13. Condor to Mallorca 14. Time Slip (unreleased version) 15. A Universal Voice That Speaks to All That Will Listen 17. Expanded (A1) 18. Spiral Galaxy 21. Life Cycle 22. The Bells 23. Star Chronicles: Orion Belt 3 24. Real Life 25. Automatic 26. The Dancer 27. Changes of Life 28. See This Way 29. At Sunset 30. Spider Formation J. Eff Mills' legendary Axis label turned 20 years old last month. To celebrate, the acclaimed Detroit DJ producer has put together this deluxe, two-disc retrospective featuring label favourites, little known gems and stone cold killers. Keen Mills-watchers will know most of the material, but for the rest of us there's plenty to enjoy. Musically, Sequence closely mirrors Mills' career to date, mixing raw and uncompromising techno floor fillers with cascading electro, shuffling ambience and far-sighted Motor City futurism. The balance is just right, confirming our original hunch: this is the sort. Fantastic, comprehensive, visual review of Techno music’s most true label. Axis: independently run by an ever-visionary, Sci-fi driven, never compromising artist, having released some of the most influential electronic dance music of the last 20 years. Axis’ sister label Purpose Maker: having redefined the role of the DJ and never stopped questioning it. 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